| Photoshop Tutorials » Effect » Motion |
Creating a flying or bouncing motion trail for an object can be a bit more involved; but still rather easy to do. That's what we're going to cover here. There are a few other ways of creating this effect, but this is the method I've chosen to use for this particular tutorial - using the Shear filter. To make things easier for you to follow, I've created a tutorial file for you to use for this - containing a bg sky and a golf ball. So if you're working in Photoshop while you're reading this, download this small PSD file (212KB). If you're just reading at this time, then download the file now anyway so you'll have it for later.
omg thats hot but how do you download it if you have imvu can you answer me on there and not my mail because i dont use my mail ^ - ^ and it wont be looked at if you mail me my imvu users name is sweetnicechild
[...] public links >> graphicdesign Trendy lightburst motion trail Photoshop tutorial | T-Shirt Blog -� Saved by timcaffine on Sat 04-10-2008 The (New) World of Graphic Design Saved by Alterion on Sat [...]
In today's short video tutorial, I'm going to run through how to create the effect of a motion blur in Photoshop. This is pretty easy to do using filters such as the, ahem, �motion blur� filter. If you apply the motion blur to the whole image, then the whole lot looks blurry so for that reason I'm using a layer mask to reveal only the parts of the image that should be blurred. This gives a more realistic appearance to the blur. There is nearly always two ways to do things in Photoshop, so what you see here before you is one method. All comments and suggestions are welcome!
[9]-Now Open aeroplane image & adjust in First Document with the help of Move Tool I hope you have enjoyed this photoshop tutorial.The output of this tutorial is shown below
This is a nice simple tutorial, well done. However, since it is in cookbook style, step-by-step,I believe that in place of Step 5, even newbies to Photoshop could follow steps that would give them greater flexibility than by using the Eraser tool. They could even be given as an alternative series of steps for intermediate Photoshop users, although I strongly believe that beginners would have no trouble following them,under Step 5, such as: ___________________________________________________________ 5a. While still on the upper layer, click on the icon at the bottom of the Layers palette that is second from the left (it's called �Add Vector Mask�). A white thumbnail should appear to the right of the image on that layer. 5b. Press the �D� key to assure that your Foreground/Background colors are black and white, respectively. 5c. Make sure the white thumbnail has a double line around it, indicating it is active and that you will be painting on the mask and not the image. If the mask does not have the double line around it, click on it and the double line will appear. 5d. Choose the Brush tool (by pressing the �B� key) and start painting over the image window (although you'll really be painting on the mask). Make sure the Opacity (in the Options Bar) is set to 100%. Paint over those areas of the image that you want to remain in sharp focus. If you paint beyond an area that you intended to sharpen, press the �X� key, which will reverse the Foreground/Background colors. Continue to paint (but this time with white) to restore the blur to those areas that you unintentionally sharpened, and the radial blur will be restored. When finished with your correction, pressing �X� again will restore black as the Foreground color and you can continue to paint to continue to sharpen other parts of your image. 5e. A creativity option is to set the Brush opacity to a low value, such as 10%, and then paint the mask with black to partially restore the sharpness to the area painted on. Each repeated click and pass-over with the Brush tool will increase the opacity, further sharpening this area, so different effects can be obtained, although in many cases, perhaps most, the user will stop with Step 5d. __________________________________________________________
In this tutorial you learn how to make an object look like it's going quickly. Normally when a camera takes an image, depending on it's shutter speed and the speed of the object, there may be a motion blur.
Title: Photoshop: Create Motion effect. Adobe software photoshop tutorial : The Motion effect tutorial is designed to show, how to add an ultra fast Photoshop motion effect that you can use to turn an ordinary parked bus into the super charged bus.
4. Make a new text layer and type in the text you want in the foreground to be readable, I found that making the foreground text the same color as the background is a bad idea, so I made it red.
2. Go to filters -> filter gallery and locate the filter called halftone pattern and set it as in the image below.
In this Photoshop tutorial, we're going to look at how to recreate the same color and motion blur effect used in the movie poster for the biggest action movie of the 2007 summer, the Bourne Ultimatum. We'll be using Photoshop's Hue/Saturation adjustment layer to colorize the image using a color I've sampled directly from the poster itself.
it's a decent tutorial, but it would be better if you went more in depth. right now, the car looks like it's standing still, and for some weird reason the background is blurred. if you wanted to do the effect better, for a more realistic approach, it would be best to apply a radial blur to the wheels, at best quality with an intensity of fifteen a few times. that way, the car looks like it's in motion. if you know a bit about photography, it helps you when you're trying to change the properties of an image. when you're following a car with a camera, and you shoot it at a shutter speed to low to freeze your background (or you're shooting it to get the effect of a still car and moving background) the wheels will be moving like the background, because you're following the car's motion with the camera, and not the circular motion of the wheels. i'm hoping you guys update this tutorial (or maybe i'll do one of my own and put it on good-tutorials�) have fun guys, keep up the� work.
Before beginning to work on our sources let's see this process which is going to be fundamental for our work. The process is: how to make a 3D effect. Let's suppose that we have this layer with a circuitboard and we want to make it tridimensional to get rid of this "flat" effect. Follow the istructions and keep them clear in your mind. 1 Duplicate the motherboard layer (Ctrl+J) 2 press the "up" key on the keyboard 3 Do this a few times (depends on the situaztion may be 2-3 mauy be 8-9 or more...) 4 merge all the layers preserving th one on top (view the image below) 5 blur the merged layers with a Gaussian blur ->amount=1 6 Burn a little th merged layers 7 Blur a little the edges of the layer on top 8 merge all the layers Done! It's not 2D anymore
There are many situations in the world of photography where you will have to decide how you want to capture a moving subject. Whether it is an athlete running down the field or a bird swooping over the water there are many different photo outcomes possible. You could end up with everything in the scene perfectly displayed without any blur or you could end up with the subject in focus while the background is blurred from panning. In this article we will discuss the different techniques you could use in order to end up with different results. Freezing the Motion If you would like to freeze the motion of the subject along with the motion of the background, you should use a very high shutter speed. I would use a shutter speed of at least 1/300th of a second in order to make sure that you freeze everything. But there are other subjects you might find that will be moving unusually fast such as cars or thrown objects. If you would like to freeze a faster moving object you will probably need to use a shutter speed closer to 1/1000th of a second or faster. This shouldn't be a problem now because the new cameras are coming out with shutter speeds of up to 1/8000th of a second. Motion Blur of the Whole Scene If you are trying to blur everything in the photo to convey how fast everything is moving to the viewer, then you should try a slower shutter speed. Anything below 1/100th of a second should do the trick. I have used this for more artistic photos of passing motorcycles or cars as well as running animals. This technique is best used when the scene you are taking a photo of is full of bright colors. In this type of photo the subject is blurred so it is not often used, people aren't used to seeing this kind of work. And because people aren't used to this kind of work, I have seen many excellent photos like this sell for a lot of money. This type of photo also works very well with patterns in nature. Such as colorful trees waving in the breeze or flowing water with colorful reflections. This combination of blur with a lot of color can create a photo that looks more like a painting. Panning - Motion blur of just the background while the subject is clear This is a more difficult technique that requires a lot of practice and skill. In this type of exposure the photographer uses a somewhat slower shutter speed and moves the camera at the same rate as the moving subject. When done correctly, the subject is clearly in focus without blur while the background is blurred; giv...
4. Then select a good sized paint brush, and wherever you don't want the motion blur to appear, color that area black on the mask. And if you mess up simply color that area white again on the mask and the motion blur will come back.
For different photos, you will probably have to change the angle of the blur, and perhaps adjust the intensity of the motion blur. But with this technique you do not have to be a professional photographer to create water motion shutter speed effects.
When you want to get the absolute best results from your photography, you'll need to employ a tripod. A tripod stabilizes the camera, leading to much sharper images than you're generally likely to get without it. This is especially true when it comes to taking photos in poor light. Vibration control These days, many consumer cameras come with built-in vibration control. More expensive cameras may move vibration control to the lens. Vibration control works by sensing camera shake (caused by your hands when you hold the camera), and moving the lens (or sensor) to compensate. Vibration control is certainly a good thing, allowing a photographer to capture a sharper image than would otherwise be possible. And without the weight and inconvenience of a tripod. But vibration control isn't as effective as a good tripod. Faster shutter speed You increase your odds of a non-blurry photo when you crank up the shutter speed. This helps counter the effects of camera shake, especially when you're using a telephoto lens. Of course, higher shutter speeds aren't always available to you. In low-light conditions, you're not going to have that luxury. That's where high ISO comes in. High ISO Modern DSLR cameras have the ability to take amazing pictures using higher ISO settings. The resulting images are far cleaner than film (at equivalent ISO settings) used to be. If your photo requires a high shutter speed (e.g. to capture fast action), the ability to take a clean image at higher ISO settings is essential. If you don't need a high shutter speed (e.g. for a slow moving scene), setting a higher ISO is no match for a tripod. The tripod is king There's no getting around it. If you're serious about taking truly spectacular photos, you're going to need a good tripod. As with many things, you get what you pay for. The basic rule of thumb with tripods, is to get the best you can afford. Wayne Davies is a photographer and web designer based in London (England). Wayne helps businesses use the Internet to make more sales, provide better service to their clients, and reduce costs. You'll find his site here: http://asureimage.com Wayne also provides photography and digital image post-processing services. You'll find his online photo album here: http://asureimage.com/album/?r=1
A digital SLR camera gives you the power to capture some amazing effects, once you know how to use it. You can develop all the skills of a professional once you understand your manual settings. If you have grown up with a 'point and shoot' camera and have just taken the plunge with a new digital SLR, don't just leave it on auto. That is a waste of good technology; it means you are still using your equipment as a point and shoot camera. The key to improving your photography is to learn to use your manual settings. One of these settings is Shutter Speed. It is fun to experiment with and easy to see the results in your photos. Although we usually try to freeze our subject with the fastest shutter speed possible, you can get some great effects by using a slower shutter speed to capture movement effects. To try this out, you can set your camera to Shutter Priority, in which case you can set the shutter speed and the camera will take care of the aperture for you. Or, you can go to fully manual and adjust both settings yourself. Just remember to keep your exposure balanced by compensating each movement in the shutter speed setting with a corresponding movement of the aperture setting. Remember to always use a tripod for slow shutter speed photos. Here are five ideas for great capturing great motion effects, simply by slowing down your shutter speed to capture the movement of the subject. If you haven't tried this before, you will have some fun and be thrilled with the results. Slow Shutter Speed Subject #1. Waterfalls. This is the obvious first choice. You have certainly seen the silky effects of flowing water in photos, but perhaps you have wondered how it is done. Just set your camera to a very slow speed; about one second or a half-second, and see the results. The silky slow-movement effect is not always your best option. For each waterfall you should try a few shutter speeds to see which one works best for that particular subject. Slow Shutter Speed Subject #2. Cars at night. When doing night photography, you usually need fairly slow shutter speeds anyway. If you try shutter speeds of one second, two seconds, ten seconds, and even longer, you will see some amazing results. The lights of the vehicles will create streams of bright colour, stretching away into the distance. The more traffic you see, the more remarkable the effect can become. Slow Shutter Speed Subject #3. Lightning. People often ask me how I take my lightning photos. Some people imagine it takes...
Click on your middle layer, the first copy of your cutout, and choose Filter > Blur > Motion Blur. That's it! Here is how mine turned out.
6. Now you need to be in your First Text Layer. Once in your text layer go to your Blur Filter. Blur > Motion Blur The settings should be: Angel: 90 Distance: 30.
Step 3 Set the blending-mode to lighten and drag the layer a little bit behind the vehicle, while keeping it IN THE SAME PATH!
When you drop colour into the water, it makes astonishing movements. Now you can Photoshop one movement too! This tutorial always provides unique and different effects. You can even use it to make cool signatures but the file size will be quite big.
So I didn't take any chances and put the camera in the fastest possible shutter speed the light would permit, it came to 1/1250, which would kill just about any sign of spinning wheels ... but I could simply add that in post processing using the method described above. Naturally I also took some shots at 1/160 and 1/250 as he was putting multiple laps on the track, finally made a large print of a 1/160 shot, but just in case I messed up I could very well use this shot too.
Photoshop Tips -improvements -effects >>more
After you've drawn your path you need to select the brush tool by hitting the �b� key or by selecting it from the toolbar on the left. Right click on your canvas to bring up your brushes window and select a brush with a very soft edge that (depending on the size of your image) is about 7 pixels wide.
The first thing I do is drop the image into Photoshop. I'll make a selection around the boy who is ready to kick the ball. He's the main focus of this image. To make the selection I'll use the lasso tool in the tool bar:
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