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Photoshop Tutorials » Tools » Print 
People are often known in preserving the artworks or portraits that had been significant to them - photographic images of happy moments, fascinating places or any themes that they find interesting and worth keeping are preserved and well taken cared of. Because of people's interest and enthusiasm of preserving and keeping the artworks it had persuaded business printers to come up with canvas printing services.

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�Design a Print Ready Business Card for Designers� For starters please change the title What a PARADOX!!!! Another tutorial for uneducated technologicaly impaired �designers�. Those things always seem to amaze me. How could a designer that gives a crap, print out a template for his bussiness card? Isn't the point of designer to design himsell? Today it seams to be some new stream of designers i guess. Those who are too lazy to explore or to educate themself in the field.

As a designer working in a print company I get a lot of artwork from 'designers' - and the best ones make sure they have 3mm bleed and crops. And that all pics are in CMYK for a full colour job or in Pantone numbers for a 'spot colour job'. Keep your page at the trimmed size and add bleed in page/document setup. Handy hint - talk to your printer!! Thanks for taking the time to write this.

[25]-Now select Text Tool & create the any text See below for the Final Photoshop Output.I hope this is a good tutorial & you can use these Photoshop Techniques in your Graphics Design Project

About every customer that sends one of their digital photos for photo enlargement likes to work with, or enhance their photos. I don't blame them. It's always fun to make digital enhancements and color adjustments to alter the original image. The only problem is that although you would think everyone would realize the enhancements they are seeing on their monitor may only apply to their particular monitor, and they don't. This is the way I like to describe the situation. Have you ever walked into an electronics store that displays a wall of TVs all on the same channel? They are all receiving precisely the same color embedded signal, but what a difference there is on the screens. This same principal applies to monitors and digital color. It's called additive color and the way the color gamut is interpreted depends on how the color generating elements are calibrated. All digital systems use "color profiles" as a type of standard to generate and display color. Digital image files are usually embedded with a standardized profile to help keep the color consistent during display and printing. This is where color management comes in to play. The first and most basic step in achieving correct digital color is having some sort or calibration and profiling in use with your monitor. The first part of this process is to take a look at the type and direction of ambient light you are using around the monitor. You should not have any direct light shining on the monitor screen, and using fluorescent lighting will alter displayed colors. Other types of light directly on the screen, especially bright light, will alter the brightness, contrast and color temperature levels of the display. Next you want to establish at least a basic color profile for the monitor. This will help the colors displayed to be closer to the actual file embedded color. If you are using an image editing program such as Photoshop, you should try to calibrate the monitor first using Adobe Gamma, or whatever system your image editor may provide. Doing this will help to attain correct color, brightness, contrast and color temperature levels. The monitor profile you set in the operating system should be based on the type of digital image you are working with. As an example we will say you want to set the profile for editing and enhancing digital photos. Virtually all digital cameras use the sRGB color profile as the default color space when capturing photos. You should set your monitor to this color space ...

Sending a completed project to your commercial printer for printing can be a very exciting time. All the toil and hours that you have invested to make the perfect design are about to pay off. It is now out of your hands. However, it can also be a very stressful time. If you do not prepare the file just right, the printer will have a hard time completing the job, and you may have to make some adjustments. Or, even worse, the project may not look the way it is supposed to look after it gets printed. While the latter usually is not an issue if you are working with a quality commercial printer, it is still important to know the things you need to do to ensure that your Photoshop file is ready for the commercial printer. Here, step by step, is how to do just that: Step One: Make sure your file is in the correct format Your image file should be in a standard format, to avoid any potential problems with your printer. Standard formats include PDF, EPS, and TIF. Step Two: Set the resolution to 300 dots per inch Almost all commercial printers require that your files be set to 300 DPI (or dots per inch). So, if you design a file at a lower resolution, it will get stretched to 300 DPI by the printer, which will result in a very unfavorable image. Step Three: Size matters (make sure your file is the right size) Your printer will print your file at whatever size you ordered. So make sure you designed your image at the same size that the ultimate product will be. Step Four: Check the bleed About 3 mm on each side of your design will get chopped off. That is called the bleed. Do not put anything important (i.e., anything that you want to appear in the final product) in the bleed. Step Five: Don?t cut off your words Keep all text, along with vital images, at least 6 mm away from the edge of the product. Otherwise, some of it might get cut off. Step Six: Rasterize your text Photoshop allows you to rasterize your text, which means you don?t have to worry about sending fonts along with your files to the printer. However, make sure you don?t rasterize your text until you are sure you are done editing, because you can?t do so after rasterizing. Step Seven: Use unique filenames This one is very often forgotten. When you send your files to the printer, use unique names for each file. Use names that are descriptive and make it easy to tell what it is and what it is for. These are generic tips that should help you in preparing your files for use with most commercial printers. Always check with your printer before sending a file, though, to make sure everything is in order. Kaitlyn Miller is a copywriter for Printplace.com, a printing company based in Arlington, Texas.

Print borderless photographs without a borderless printer by creating a template in Photoshop. Make sure your printer supports heavyweight paper before attempting this tutorial. FotoFects and the author of this tutorial are not responsible for any printer problems you may have.

The design for printing on mug is ready. It's time to preview this design by wrapping it on an actual mug image. Open an image of a mug.

Press control+e to merge all the layers. Now, we will use the texturizer filter to give it a canvas look. For that, go to filter>texture>texturizer and give these values :

This simple tutorial teaches you how to convert your normal picture to newspaper print. Open your picture. I have found this picture while searching on google.

Now open the photo and put it on top in the layer palette. Create a clipping mask with the previous layer. Create a new layer and put it on top. Take the Gradient tool and set it black to transparent. Remember the layer we used to create a clipping mask, well click on it to make a selection (not the photo layer, the layer under it). With the gradient tool draw a diagonal line, but very short from the top left corner to the center. Look at the picture below:

The View> Print Size command Photoshop's View> Print Size command purports to display an image on-screen at the actual print size. However, the command can't do that for one specific reason: Photoshop doesn't know your monitor size, nor the resolution to which it's set.

You can select page size, resolution, layout style, color mode etc. Also if you like you can label your images with your choice of colors and fonts.

Print borderless photographs without a borderless printer by creating a template in Photoshop. Make sure your printer supports heavyweight paper before attempting this tutorial. FotoFects and the author of this tutorial are not responsible for any printer problems you may have.

Here is a simple yet effective image effect that is often used in print ads. An image's main object extends out into the white area so it appears as if it is popping out of the picture and the ad text is placed in the white section. Obviously this effect can be used with almost any object in a picture but seems to work best on less "busy" images with one or two objects that really stand out. I'm going to use a hot air balloon for this tutorial. If you want to follow along with me, you can download the image I'm using here: Hot air balloon.

You can select page size, resolution, layout style, color mode etc. Also if you like you can label your images with your choice of colors and fonts.

Learn how to print images with Photoshop and avoid the biggest printing myth. In this Photoshop tutorial, you will learn the basic print tool workflow and understand how to avoid one of the most common printing mistake.

This entry was posted on Tuesday, March 28th, 2006 at 7:33 pm and is filed under Photoshop Tutorials. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

This is without a doubt the easiest PS tutorial I have seen, Great work on making a print ready business card using only photoshop

Screen printing is a tricky, messy process, but it's the less than perfect areas that create that distinctive look. Here, Computer Arts regular Derek Lea reveals how to simulate silk-screened imperfections in Photoshop

Most large format pieces are designed to be viewed from a distance. Be sure to use large text sizes that are very easy to read. Try to stay away from really fancy fonts with details that will blend into your design and may fall apart when printing. You???ll also want to consider the contrast and how busy your design is so that your type doesn???t get lost in your creative.

It doesn't matter how good your photos are, if your images aren't displayed to their best advantage they will lose impact. It is often the simple things that spoil an image. Using simple techniques and a little care, you can easily give you images the attention that will do them justice. The materials used in printing your images play an important factor in the quality of the finished print. Printer: When buying a printer think about the materials that you'll be using. If your are going to be printing your images in large format buy a printer that can handle rolls of photographic paper. These printers are usually more expensive, but great savings can be made when buying paper. Paper: Photographic paper comes in many different sizes and textures. It doesn't do any harm to test a few different papers from different manufacturers to see which one suits your needs. Ink: When buying inks for your printer I would strongly recommend that you buy from your printer's manufactures. Third party inks will give you great savings but may not be suited for your printer. When buying a printer, photographic paper or inks, it is advisable to plan well in advance. If you are only going to print a small amount of images it may be better using your local photo lab. If you're planning to sell a large amount of images, your own printer will be very valuable. Having your own printer will ensure that you can process orders immediately after getting them. In today's world, offering a speedy delivery can be the difference in making a sale. Using a third party to print your images may take a week or more before you'll get your images back. This will not be good for your business. Presentation. When you are happy with the quality of your printer you now need to consider presentation. Placing an image in to a cheap frame will not do anything for your prints. Presentation is all about giving your images the impact they truly deserve. Before you print your images start thinking about presentation. It is often very effective to add a white border in Photoshop before printing. If you decide against Photoshop I would recommend that you mount your image before framing. When finished printing match your prints to your computer screen. If you think you have a problem with your final print you may need to calibrate your computer. This is a common problem with a lot of people printing at home. Most advance photographic software comes with a basic calibration program, which can be simply used in ...

Here are 10 things you can do to make sure red is red, no matter which device has to render it. 1. Buy a good monitor. OK, this is an open door, but by "good" i mean a monitor that you can calibrate. That rules out all the office monitors, the Apple Cinemas and leaves you with LaCie 300 range and Eizo ColorEdge products. 2. Buy a good calibration and profiling application. Even if you can't afford an Eizo ColorEdge, buy Color Solutions' basICColor Display. This software comes with a high-quality GretagMacbeth Display 2 colorimeter (called the "Squid 2" by Color Solutions), and has a feature called "software calibration". The latter calibrates any monitor by storing the calibration data (the Tone Response Curve) in the video card's lookup tables. The only requirement: your video card should support it. ATI's Radeon range supports this. 3. Calibrate and create a colour profile for your monitor once a month. Calibration is different from profiling. Calibration means the colour lookup tables in the monitor are put into a known state, while a profile merely describes the monitor's perception of colours. With calibration you tell the monitor that it must render "pure red" by setting its colour channels in a certain manner. The profile you create will tell your image editing software, or graphic design application that pure red for this monitor means a specific mixture of its colour channels. 4. Buy an inkjet printer which has non-clogging printheads. Ideally, printheads should never clog. If they do, you can rest assured your colours will come out awful. If they don't, you can still have bad colours, but now at least you can something about it. Good printers are a bit more expensive than the bottom-price inkjet printers you can buy these days. Think of paying something like 200 USD at a minimum. For top-notch printers like the HP Photosmart Pro B9180, expect to pay 700 USD. 5. Drive your inkjet through a Raster Image Processor. Many high-end printers support a RIP, but not all RIPs are created equal. EFI makes good RIPs, as do the vendors that develop more expensive RIPs for large format printers. EFI has a decent RIP, with support for ink limiting, black start setting, etc, for a very decent price. It's the EFI Designer Edition. 6. Profile your printer and use that profile with your RIP to get accurate colours, and save money on ink consumption. Through the profile settings, you can actually determine how much ink gets sprayed onto the page. For some paper type...

Print Multiple Photos on One Page Many people have asked me how to easily print multiple photos on one page using adobe photoshop, there are in fact many ways of doing this but this is a simple and easy technique that can be used to create a completely customizable layout.

Now that you understand aspect ratio, you can now prepare your images accordingly in Photoshop so that you have total control of where the image is cropped. Video time!??

Printing in full color can be very expensive and alternately you can select one or two colors to print in, yet retain the full tonal detail of the image. In this exercise, you will create the poster on the right.

Regardless of whether channels are displayed in grayscale or in color, an individual channel will always print as grayscale. The "separations," individual channels printed in grayscale, are used to make printing plates or screens. The various levels of gray determine how much of that channel's ink will be placed on the page in any given spot.

These images can now be printed individually, producing color separations printed in their own colors. (These color separations cannot be used to produce printing plates.) 3. To show the "build" of color, make the Cyan file active and use the menu command Image> Duplicate, naming the new file Cyan-Magenta. Convert the image from Monotone to Multichannel mode (Image> Mode> Multichannel). In the Channels palette menu, select the command New Spot Channel. Define the new spot channel's color as Magenta (CMYK 0/100/0/0) and click OK. Make the Magenta file active, select all, copy. Return to the Cyan-Magenta image, make sure the Magenta spot channel is active, and paste. In the Channels palette, make both channels visible to see how the two inks will combine.

Well, that’s about it. All you have to do now is click the “Print…�? button. Depending on your printer, a dialog will appear that will let you customize printer properties. For example you might want to print three copies of the image or tell the printer to use more or less ink. It’s really easy to print images through Photoshop. I use this software all the time mostly for the “Scale to Fit Media�? check box I mentioned above.

Use Adobe Photoshop CS3 advanced print options to print your image just like you want it. In this video tutorial, you will learn how to print an image in Photoshop CS3.

June 1, 2000

Let's say you've taken some photos of your recent family vacation using your digital camera and you want to print out some 4 x 6's on your printer. We know now that in order to achieve professional quality prints, we need set the resolution of our images to a minimum of 240 pixels/inch, although 300 pixels per inch is the official standard. Let's look at both of these resolution values though to see how large of an image, in pixels, we'll need out of the camera in order to print 4 x 6's with good image quality. First, let's look at 240 pixels per inch:

A) I want to create a Windows wallpaper for a 1024 x 768 background:

I would rather write in spanish but I want to let everybody knows�

But indulge me for just a moment with this brief explanation of screen printing (serigraphy) because some of our readers today may not be familiar with this printing process. If you are familiar with the process, jump on over to the separations tutorial

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