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Photoshop Tutorials » Tools » Selection 

9. Toggle to the eraser E to erase areas you strayed on and toggle back to edge highlighter tool B to continue highlighting.

In this Photoshop tutorial, we're going to look at how to get the most out of Photoshop's basic selection tools, such as the Marquee tools or the Lasso tool. If all you've been using them for is to make a new selection every time, you've been missing out on their full potential. We're going to see how you can add to an existing selection, how to subtract an area from an existing selection, and even how to intersect two selections and grab the area that overlaps. Once you become familiar with the full power of basic selections, they'll seem a whole lot more useful to you.

Scenario: Using Adobe Photoshop, you wish to select and copy Aunty Edith from one photograph and paste her into another. Which selection tool do you use? I have been asked this question so many times. My suggestions are usually rejected followed by 'Well, I prefer to use the Magnetic Lasso and that's that! Look, it works by pure magnetic magic!' - Mmmm. Preferences toward any given selection method may vary, but I can only draw from my own experience as an Adobe Photoshop specialist and University lecturer in its uses. If I were to sum up with one word why Adobe Photoshop is the best of the best, I'd put it all down to 'Control'. You must be in control of your selection, not your selection in control of you. Who's in control then? If your preferred selection method delivers the highest levels of control to you (the digital De Vinci), continue to use it. However, if you absolutely depend on 'one-click-wonder' solutions, you will fall short of becoming a pro. Sure, taking the odd shortcut here and there doesn't harm anyone, but having as much control over Adobe Photoshop as you can manage will pay off. The narrow path Out of all of the selection tools currently available within Adobe Photoshop, the most useful for general and precise selecting has to be the Polygonal Lasso. It will not fill an area with a selection, nor will it trace the outlines of a shape. What it will do is deliver perfect control. Cracking the whip over the Polygonal Lasso In the past, some of my students have expressed some apprehension over using this tool due to the 'sticky-dart-around-the-screen' habit it seems to display. Let me make one thing clear - there really is nothing to be afraid of with this tool. If used correctly, the Polygonal Lasso will behave itself and, in the long run, save you masses of time and yield perfect selections. Guide Points Just follow these guide points and you will be creating perfect selections in no-time. Get comfortable (by this I don't mean fluff up the cushions) - ensure that there are no palettes obscuring your image. Move them aside, minimise them or hit the Tab key (toggle) to hide them. Zoom in - I tend to go in at a factor of between 100-200%. Use CTRL+ and CTRL -. Do this before you start your selection. Take you time - Don't rush, speed will come with practice. Develop a confident rhythm of clicks first before galloping away with yourself. Don't become too click-happy - If you click too quickly (constituting a double-click), you'll will close...

When the name of the tutorial is �Enhance Your Image with Selective Color Adjustments,� you can bet I'll be disappointed when the first �enhancing� step involves replacing the background with a better looking one.

In this Photoshop tutorial we will explore the basic technique and options for creating selective focus without the use of a macro lens or fast exposure and the Tilt-Shift effect created by large format cameras and 35mm cameras outfitted with a Tilt-Shift lens.

Most likely every time anyone edit an image with Adobe Photoshop will use selection for different reasons and purposes. Not that Photoshop don't have a wide range of selection tools available, but there are times when they are just not enough. Many times you can use a Polygonal Lasso or Magic Wand or Quick Selection Tool, but what do you do when you need to isolate a person, a tree or something like that? How do you select the space between branches, leafs or hair? Lucky for us, there is a way to do it without too much hassle and I'm going to show you how.

This is a tutorial on how to use the selective color adjustment layer in photoshop to optimize colors and tones in your photos; includes a little information on the levels tool as well.

Altering the selection a bit, we check the option for Anti-aliasing for the Elliptical Marquee tool, leaving the Rectangular Marquee tool as a basic selection. Now when we fill the selections, Photoshop uses anti-aliasing to smooth the appearance of the curved selection. (This circle does not have the jagged edges of that seen in the second picture, above.)

Using the Eraser tool or painting with white will remove red areas from the mask overlay, exposing parts of the image.

In the course of these exercises, we've created masks starting with selections and from scratch. We've used selection and painting tools to edit the masks. We've applied filters to create masks. We've ended up with some pretty strange looking creations ... but creations that show how masks work. You should now be perfectly comfortable jumping into and out of Quick Mask mode, and you should have a good grasp of the relationship between masks and selections.

The following tutorial will teach you how to create a rather smooth selection using the gaussian blur filter and curves. This is most useful when you want to move an image in with another and make it appear like it was apart of that image.

This will convert the selection you have into a 'Path'. Under the Paths palette you can see the work path that you've now created.

In using these, once again if you have accidentally selected areas that you don't want selected, you can use 'subtract from selection' in the options bar of the lasso (or marquee tools).

For me (and I?m sure everyone else would take the same approach), I would ordinarily opt to do the fastest/easiest method i.e. the Magic Wand Tool. We know this tool is good when there is a high degree of contrast between the intended selection area and the background; but 99.9% of the time this is not always the case. So we find ourselves slowly making our way through the other methods we may have learnt. These methods may include but are not limited to, the Extract Filter, the Magnetic Lasso Tool to maybe the masking method. And in some cases using the technique described in the following tutorial??? Using Channels to make Selections?.

Because your rectangular marquee is there and you've made it as a selection go try Transform Selection. This will bring up a bounding box around the selection. Remember that we aren't moving pixels yet, we're just altering the selection itself. With the bounding box visible you can move the corner handles to make the selection move in different ways. Press Ctrl/Cmd to skew the corner boxes and bring the selection in around the window itself (for this tutorial you need a rectangular object to use the marquee tool.

This will now select the areas that haven't been selected which in this case happens to be the subject and the dead palm trees. When making selections you'll most often want to select the easiest way and use the tools together to get a selection. It all depends on the circumstances. With difficult backgrounds sometimes there is no easy way. The advanced art of the selection will be covered in depth in the upcoming AdvancedPhotoshop.com in the next few months. There is plenty of selection training in the Basic Photoshop training program. Go to the moVe tool in the upper right corner of the toolbar and drag this selection (the main subject layer) into the new document. Here in the layers palette you can see that I have both of the separate selections on their own layers.

Press Ctrl+Alt+T te start the transform and copy action. After this, you move the pivot point of the little cirkle to the middle of the page. Sometimes this is very difficult to click the pivot point (mostely if your shape is very small), so you can press Alt and click&drag; the pivot point to the center of the page. To assure the movement is exactly right, you can press Shift after you started dragging to drag along an axis (X or Y).

Altering the selection a bit, we check the option for Anti-aliasing for the Elliptical Marquee tool, leaving the Rectangular Marquee tool as a basic selection. Now when we fill the selections, Photoshop uses anti-aliasing to smooth the appearance of the curved selection. (This circle does not have the jagged edges of that seen in the second picture, above.)

In a nutshell, a mask is a channel (an Alpha channel) in the image, with the full 256-levels of 8-bit grayscale available. The various levels of gray represent what parts of the image are within a selection ? and to what degree.

In the course of these exercises, we've created masks starting with selections and from scratch. We've used selection and painting tools to edit the masks. We've applied filters to create masks. We've ended up with some pretty strange looking creations ... but creations that show how masks work. You should now be perfectly comfortable jumping into and out of Quick Mask mode, and you should have a good grasp of the relationship between masks and selections.

Selections and masks are used to isolate parts of an image for editing. Masks offer far more flexibility and creative power than simple selections.

Most likely every time anyone edit an image with Adobe Photoshop will use selection for different reasons and purposes. Not that Photoshop don't have a wide range of selection tools available, but there are times when they are just not enough. Many times you can use a Polygonal Lasso or Magic Wand or Quick Selection Tool, but what do you do when you need to isolate a person, a tree or something like that? How do you select the space between branches, leafs or hair? Lucky for us, there is a way to do it without too much hassle and I'm going to show you how.

Photoshop allows us to apply different adjustments to different color ranges.That's a great advantage if you know how to use it! You have already applied the command Replace Color to a selected color range. Let's learn more.

OK, the adjustment layer is created; bride's face is quite discernable now. However dark border merging edited area (which means that our selection was not perfect) spoils it all. Let's fix it.

The first criteria to using selective desaturation is to start off with the right photo. The main concern is to choose a photo that has a prominent color in the main subject that isn't repeated in the background. This allows us to desaturate the background elements in Adobe Photoshop without affecting the main subject in the foreground. For this example I chose a photo of the Rose of Sharon. A beautiful pink orchid. You can tell that I set out to use this technique by the fact that there is a rather unflattering yellow cloth in the background but as you will see this will be no problem later on in the tutorial.

Copyright � 2006 The llex Press Limited - All rights reserved. No part of this book may be reproduced in any form, by photostat, microfilm, xerography, or any other means, or incorporated into any information retrieval system, either electronic or mechanical, without the written permission of the copyright owner. See more Sample Chapters from Window Seat. Window Seat: The Art of Digital Photography & Creative Thinking by Julieanne Kost Julieanne Kost is a Photoshop evangelist for Adobe. Her teaching commitments take her virtually across the globe, as she flies from destination to destination. In this book - Window Seat: The Art of Digital Photography & Creative Thinking - she has taken a collection of photographs that she's shot through the panes of glass of her airplane window seats, and gone on to create a book that offers a blend of professional expertise and inspiration for waning creativity. Our in-flight behavior varies greatly - many of us choose to take a nap while trying to avoid leaning too far into our seatmate's lap, while others watch the tiny drop-down screen and its offerings of archived news clips. Ms. Kost, on the other hand, uses the air travel time that we all-too-often squander in a vastly different way. She uses, to her creative advantage, the unique perspective offered from 35,000 feet as she collects a variety of photos taken through her window. Window Seat is more than simply a collection of beautiful images, though far be it for us to undermine the often breathtaking aesthetic appeal of Ms. Kost's photography. However, she has an underlying purpose to her artistic renderings ? not only does she seek to share many of the insights that she has garnered over her years of work as a creative professional, but she also offers some valuable reflections on the nature of ingenuity itself. Indeed, the Window Seat photographs speak as a metaphor to her essential message ? that all it takes is a simple change in awareness and perspective to awaken and sustain the creativity that often eludes even the most prolific among us. It isn't meant to be an expert's instructional manual or an artist's complete portfolio, nor is it intended to be a guru's manifesto. What Ms. Kost has accomplished with Window Seat is a unique blend of all three, as she shares her talent, her insight and her work in a quest to remind us all why we create, and to help us when the flow of ideas begins to stagnate. Take a look out of your very own window seat, open your eyes ...

Tricky Selections Category: Photoshop It's not always easy to make complex selections in your Photoshop images, but in this tutorial, trainer Geoff Riggs will show you one very effective way to use the highlights in an image to make a selection in order to alter an image. Written by Unknown Views: 746

Get all your Photoshop upgrade options and the best prices at the Adobe Store. Find the latest Photoshop CS3 tutorials on our Photoshop CS3 Tutorials Page. Buy. Download. Create. Get Photoshop CS3 now at the Adobe Store. Pen Tool Tutorial - Creating Selections With Photoshop's Pen Tool by Mark Galer The Pen Tool is often used in the creation of sophisticated smooth-edged selections, but strictly speaking it is not one of the selection tools. The Pen Tool creates vector paths instead of selections; these, however, can be converted into selections that in turn can be used to extract or mask groups of pixels. The Pen Tool has an unfortunate reputation ? neglected by most, considered an awkward tool by those who have made just a passing acquaintance, and revered by just a select few who have taken a little time to get to know 'the one who sits next to Mr Blobby' (custom shape icon) in the Tools palette. Who exactly is this little fellow with the 'ye olde' ink nib icon and the awkward working persona? The Pen Tool was drafted into Photoshop from Adobe Illustrator. Although graphic designers are quite adept at using this tool, many photographers the world over have been furiously waving magic wands and magnetic lassos at the megapixel army and putting graphics tablets on their shopping lists each year in an attempt to avoid recognizing the contribution that this unique tool has to offer. Not everything you can see with your eye can be selected easily with a selection technique based on color or tonal values. The resulting ragged selections can be fixed in Quick Mask mode, but sometimes not without a great deal of effort. The question then comes down to 'how much effort am I prepared to apply, and for how long?' It's about this time that many image-editors decide to better acquaint themselves with the Pen Tool. Mastering the Pen Tool in order to harness a selection prowess known to few mortals is not something you can do in a hurry ? it falls into a certain skill acquisition category, along with such things as teaching a puppy not to pee in the house, called time-based reward, i.e. investing your time over a short period of time will pay you dividends over a longer period of time. The creation of silky smooth curvaceous lines (called paths) that can then be converted into staggeringly smooth curvaceous selections makes the effort of learning the Pen Tool all worthwhile. Basic Drawing Skills Vector lines and shapes are constructed from geographical markers (anchor...

At the botton of the layer palette click at the icon - create a new fill or adjustment layer(a ball half white/half black) and choose Hue/Saturation

Learn how to use Photoshop to create selectively add a dramatic sepia effect a photo. This Photoshop effect works best when used with Photoshop CS3 but will also work with Photoshop CS2 or older using an alternative method.

Step 3. Just going thought the drop down of colors and adding and subtracting the 4 colors on the slider to give you a brighter or duller color to your photo.

1. Open Replace Color dialog (Image > Adjustments > Replace Color...). The masking and adjusting tools are in one box here; a hybrid of Hue/Saturation and Select Color Range commands.

In this tutorial you will learn how to use selective coloring photoshop technique. I will show how to change color of a part of the image or a photograph.

You can experiment with other photos, for example, with a portrait. Selective desaturation allows highlighting key points and see the photo in a different way.

with this easy photoshop tutorial you can set color to part of- or the whole black and white image/picture to make it attractive and special.

Selective coloring is a special technique used to enhance certain parts of an image. It's most often seen by completely desaturating the background of an image and leaving other elements of the picture completely saturated. While this may create a cool effect, it's a "clich�" of sorts that beginners often over-use. I will show you the basics so you can get started, but I encourage you to be creative with it because you can create a lot of cool subtle effects with adjusting the saturation channels in an image. Before we begin, here's a quick example of what selective coloring can do. This is the image I'll be using throughout the tutorial.

Copyright � 2005 The llex Press Limited - All rights reserved. No part of this book may be reproduced in any form, by photostat, microfilm, xerography, or any other means, or incorporated into any information retrieval system, either electronic or mechanical, without the written permission of the copyright owner. Photoshop CS4 & Photoshop CS4 Extended - Best Deals From Adobe Photoshop CS4 and Photoshop CS4 Extended feature a newly refined, tab-based interface in a single, integrated window, with self-adjusting panels arranged in docked groups. Automatically keeping tools well organized and away from your work area means you get greater efficiency, less clutter, and better results, faster than before. Delivering all the features of Adobe Photoshop CS4 software, including the new Adjustments and Masks panels, Adobe Photoshop CS4 Extended also provides breakthrough 3D editing and compositing power to paint directly on 3D models, create 3D animations, convert 2D images to 3D objects, and more; richer motion graphics editing; and more powerful and flexible image analysis and tracking. Learn more on our Photoshop CS4 Tutorials Page. To download the free trial, see details on our Photoshop CS4 Free Trial Download Page. Find upgrade options and package deals at the Adobe USA Store. Teachers and students get special pricing at the Adobe Education Store. You can also buy in your country currency and language at the following Adobe International Stores: Adobe United Kingdom | Adobe Germany | Adobe France | Adobe Eastern Europe Special Offer - Fluid Mask - Photoshop Masking Plugin Fluid Mask is based on breakthrough segmentation technology inspired by the way the eye, optic nerve and brain perform visual processing. When an image is loaded, Fluid Mask's segmentation engine analyses the distribution of colors, finding the natural groups within the image. Together with information calculated about edges, gradients and textures, a model is constructed which divides the images into objects. Vertus Software is offering Fluid Mask at the special 'friends and partner' discounted rate. This is an exclusive offer to visitors of PhotoshopSupport.com. To qualify, visit the Fluid Mask Discount Price page. Find out more about Fluid Mask on our special Fluid Mask Page. SiteGrinder Photoshop Plugin - Create Websites Instantly There often seems to be a strict division of labor within the world of web design and development. Creative professionals tend to stick to the Photoshop ...

2. Go to Image > Adjustment > Selective Colors and chose the color that dominates the object you want to colorize. In my case it was white and neutral. In both I added some Magenta and reduced yellow in Neutrals.

Design 3D arrows

1- In prepress clean jobs, always use PEN tool.

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