What's New and What's Fixed in 2014.1
Mark Mapes Oct 8, 2014 12:57 AMFirst, here are links to the two main documents about new features in the 2014.1 release:
- Product Manager Al Mooney's blog: Premiere Pro CC 2014.1 Release
- The What's New page in the Help: Adobe Premiere Pro Help | New features summary
(I'll review both of those documents ASAP to see if any little goodies got skipped.)
And now, the bugs that were fixed in this release:
Import
- Import of CinemaDNG clip fails if the file has been renamed.
- Gamma shift in some re-imported QuickTime IMX clips
- Some QuickTime Reference files import without timecode.
- Indexing of XDCAM clips can take an excessively long time, footage shows Media Pending until indexing completes.
- XAVC-S files import without Timecode
- Unable to import certain XDCAMHD 422 Long-GOP clips with Pixel Aspect Ratio of 0.7500 MXF
- Spanned XDCAM HD422 clips not handled correctly if the clip names do not follow the normal convention
- When a sequence is loaded from Media Browser to the Source Monitor and then inserted to a sequence without explicitly importing, two copies of the sequence are added to project.
- Scaling values are not properly handled for clips/sequences imported via an XML file written by some shot management and conforming programs
- If the reported duration of an XDCAM HD MXF clip shorter than the actual length in the file, then frames outside the stated duration can be accessed.
- Some XAVC and XDCAM-IMX-MXF clips have audio noise introduced on playback
- Some .mp4 have green frames and 'static' garbage when played in Source Monitor
- Canon XF300 Footage has unacceptable performance for playback
- .mp4 clips generated by certain transcoding programs exhibit poor playback performance
- PPro no longer recognizes timecode from a .qtc file, referenced from within a QuickTime reference movie.
- Some XDCAM422 clips fail to import with generic error
- Occasional crash on opening Source Settings for DNG footage, with 2nd monitor enabled
- Overexposed white areas in some CinemaDNG footage display magenta artifacts.
- When scrubbing C300 clips in Project panel’s Icon view, red frames sometimes show and Event panel reports error decoding frame.
- If SpeedGrade was installed before Premiere, then double-clicking a prproj file launches SpeedGrade (Mac Only)
Growing Files
- The last frames of some growing file are green. Must relaunch Premiere to correct the problem.
- Importing a growing file can take an exceedingly long time, with footage showing as Media Pending
- When a growing file refreshes, it stops voiceover recording
- The incorrect timecode is shown in the Timecode Panel for growing files.
- Timeline playback of growing files drops audio for about 1 second each time the growing file refreshes.
- QuickTime reference files for growing files fail to import.
Export
- When source is 120fps, export fails if Match Sequence Settings enabled
- The Advanced XDCAM Settings section in Export Settings is blank for imported XDCAM presets
- In QuickTime encodes, audio exported as uncompressed stereo imports into FCP as dual mono.
- When you export to 5.1 AAC with the “Import into Project” option enabled, the resulting clip fails to import, throwing
- “File import failure”
- Image flicker is introduced in some constant-bitrate MPEG2 encodes
- When the only variable blocking smart rendering is an adjustment layer, the effect(s) thereon are ignored and the segment is smart rendered.
- ProRes media encoded by Premiere causes are not compatible with certain video QC programs.
- AAF export: 88.2kHz and 96kHz audio clips exported to AAF do not appear in some audio production programs.
- Audio EDL gets wrong source timecode if clip is nested or part of a multicam source sequence
- EDL does not give correct Source In and Out for clips with speed reversed.
- EDL does not give correct source in and out on reversed clips.
- OMF export fails with some multicam sequences, reporting Audio Export Failure.
- Hang during OMF export when the sequence contains a 5.1 audio track/clip.
- Smart rendering can introduce black and red frames
Playback
- Playback of IMX 50 clip freezes after 12 seconds.
- With XDCAMHD and DVCProHD footage, frames are sometimes dropped though the render bar is green.
- Audio for some mp4 files plays back at double speed
- When pre-roll is set to 1 frame, timecode and video of XDCAM .mxf files are out of sync
- Some DNxHD do not decode properly, resulting in frames being played out of order
- Performance of playback for some QuickTime is poor because they are unnecessarily falling back to QT32
- Dropped frames when playing R3D clips with RocketX enabled and Playback Resolution at ¼
Audio
- With Maintain Pitch enabled, no audio when playing at slower than real-time
- Solo buttons in Audio Meters do not work for clips loaded into the Source Monitor
- Mono and Standard track puck and tray panner routing for Ls, Rs, C and LFE channels do not adhere to ITU-R BR.1384 standard.
- Occasional crash on switching a clip from mono to stereo via Modify>Audio Channels
- 5.1 channels are not properly mapped for some Dolby content.
- 5.1 clip changes to a 6 mono channel clip when “Extract Audio” or “Edit in Adobe Audition>Clip” is performed on a project item or track item.
- Changes to Frame Rate via Interpret Footage are sometimes not applied to saved for all audio streams, causing most audio channels to be out of sync after closing/reloading project.
- Constant Power audio transitions introduce buzz if either track item has zero channels (generally limited to multicam clips)
- Crash on applying changes in Modify Audio Channels dialog [Mac Only]
Project Panel
- Sorting by Duration is broken if the column has been moved during the current session
- If the Project panel is filtered via Rapid Find when a bin is created, the edit control for naming the new bin does not become active automatically, and it cannot be activated manually until Rapid Find is cleared.
- Project items cannot be deleted or renamed if the list view is scrolled to the right.
- Project panel does not autoscroll to the left when a column is dragged to the right side of the Name column
- When a timecode value is typed in the Video Out control for a clip in the Project panel, the value gets reduced by 2 frames upon committing the change
Subclip
- When a soft subclip with only an Out Point set is edited into a sequence, the Subclip Start is ignored; the resulting track item extends all the way to Media Start.
- The Media Start/End and Subclip Start/End times for subclips from a merged clip are incorrect
Editing/Timeline
- 3-Point edit: If the source is a sequence and only an Out Point is set for the source, the wrong segment gets inserted when KEM Roll is set to Insert as Individual Clips
- Keyboard trim commands do not affect clips on targeted tracks that are outside of visible area of in the Timeline
- Switching between sequences can turn the render bar red.
- Frame Hold option doesn't generate the freeze frame when speed change is in effect
- In the Timeline, the FX badge gets hidden when the clip is not wide enough to show the full clip name.
- If the Left/Right Balance control is displayed in Timeline header, the balance will change if the mouse strays over the Header region during click-and-drag operations in the Timeline (such as trimming out)
- 'Select In to Out' selects clips on locked tracks.
Multicam
- If time-remapping is used on a Multicam Source Sequence, the Program Monitor's multicam view continues to play at 100%; if source sequence was slowed, the Composite view goes black after the original end point.
- When a multicam source sequence has been slowed down via speed change or time remapping, the extended of the clip goes black—no video
- If the audio in a multicam sequence is selected when it is flattened, the audio is sometimes deleted.
- Disabled multicam source clips are sometimes rendered to the composite output
- The camera can be changed for a multicam clip on a locked track.
- The overlay displays timecode in audio time units for part of a multicam sequence if the source clips are stereo and the MC sequence is mapped to mono
- If a nested multicam sequence's duration has been increased via Time Remapping, then upon reaching the original end point during an editing pass, the composite view restarts from beginning
Flattening
- If a multicam sequence’s audio is 5.1 or adaptive, then flattening deletes the audio.
- Crash on flattening multicam clip with keyframed scale when using a camera angle that does not start at time zero.
- Flattening multicam can remove some audio clips from the sequence.
- Flattening a multicam sequence with reverse speed applied results in incorrect frames being used
Effects
- AE Text Template] When text fields are active for editing, they’re not being visually highlighted
- Adding mask points very close to each can result in the ordering of the points being incorrect
- Incorrect scaling of 1920x1080 adjustment layers in 720 sequences
- Unexpected behavior with Cross Dissolves between Adjustments Layers.
- Applying both Echo & Levels effects to an adjustment layer causes video playback to freeze
- Crash on rendering previews for a Lumetri filter in Software-Only mode.
- Crash on deleting a clip from a sequence after pasting an effect mask to the clip.
- JPG frame sequence gets scaled down if an adjustment layers is in effect above it [OpenCL only]
- Rename GoPro lens distortion presets to include the camera name
- Clip name effect doesn't work correctly if Source Track is set to a different track.
- Crash on using Clip effect or Timecode effect on a transparent video.
- Crash on loading or applying VST Effects (Mac only)
- Intermittent Crash with Warp Stabilizer applied (AEVideoFilter)
- The Clip Name effect does not work when applied to a transparent video track item, with Source Track set to a video clip.
- Crash on applying audio transition to clips with overlapping timecode
- Previewing fails when an adjustment layer has an animated mask applied to Opacity and any other video effect.
- In Software-Only mode, rendering previews of the new Cross Dissolve is slower than the old one.
Masking and Tracking
- Shift-dragging a control point for an effect mask sometimes yields unexpected results
- If a clip has an effect with a mask applied, moving the clip in the Timeline cause rendered preview files to be lost.
- Previews rendered to a P2 codec are incorrect for the first 10-30 frames of an Opacity effect with mask applied
- If a mask is applied to a GPU accelerated effect on an adjustment layer, the Program Monitor shows a cropped frame with Playback Resolution at Half and goes completely black at Quarter.
- Opacity effect on Adjustment Layers fails to render within the mask with tracking.
- After rendering an adjustment layer with multiple effects with masks applied, some of the effects are no longer confined within the mask [Mac only]
- Crash on opening some projects with masking and tracking applied to effects
- Direct Manipulation control fails to switch between multiple masks that are applied to the Opacity intrinsic effect.
3rd Party
- Certain audio filters cannot be applied to a clip in a sequence that is imported via XML
- PPro reports audio filter missing when opening a saved project with certain audio filters applied to the clips in a sequence that was imported via XML
- Artifacts are introduced when using certain 3rd party transitions.
- Certain 3rd party stabilizer plug-in are not working
Markers
- On mouse-up after adjusting the Out point of a marker with duration, the playhead jumps to the marker's In point.
- Video in Program Monitor strobes when dragging the In or Out point of a sequence marker
GPU
- With GPU acceleration enabled, Gamma is being applied to some RAW media when it shouldn’t be.
- Basic 3D effect can result in Program Monitor’s video overlay to become corrupted on some GPUs
Performance (Note: Most of these fixes are also listed under a product area)
- Locking all Audio Tracks can significantly impair performance.
- Performance of playback for some QuickTime is poor because they are unnecessarily falling back to QT32
- Dropped frames when playing R3D clips with RocketX enabled and Playback Resolution at ¼
- Navigating through projects in multiple Media Browser panels impairs performance and can culminate in a crash
- In Software-Only mode, rendering previews of the new Cross Dissolve is slower than the old one.
- Canon XF300 Footage has unacceptable performance for playback
- .mp4 clips generated by certain transcoding programs exhibit poor playback performance
Interop
- Crash on selecting Edit>Edit in Adobe Audition>Sequence...
- When a 5.1 clip is sent to Audition via Edit Clip In Adobe Audition, the first channel is used for all channels.
- Exporting from Audition to Premiere Pro opens Premiere, but the file fails to import
- After grading a sequence in SpeedGrade, Premiere regenerates index & pek files
Miscellaneous
- With some capture card hardware, captured uncompressed clips have the wrong field order
- In the Overlay Settings dialog, the Track control is not properly constrained by the Property control.
- A single preference flag is used for the "Import into Project" setting in the Export Settings dialog and the Export Frame dialog; they should be managed independently.
- Custom scratch disk location for Video and Audio Preview folders get’s reset to default, “Same as Project File"
- Changes to the label color cannot be undone.
- In the Usage lists, all instance are ordered by track item start time; should sort by Sequence Name first, then by track item start
- Automatic relinking fails in certain cases when the name of a folder in the relative paths are too similar. [Mac only]
- With OpenCL GPU acceleration and Transmit enabled with some 3rd party I/O cards, the video on the output monitor is corrupted
- Newly created projects sometimes have multiple Project Panels open.
And in closing, a request: If this post prompts you to think "Great, but what about..." or "Thanks, but I just found this new bug in 2014.1," please start a new thread--after, of course searching to see if there's already a topic on that issue.
[And Shooter, I apologize in advance if the foregoing contains any typos ;-)]



