National Gallery of Art

Ruth Asawa, “Flowers V,” 1965, lithograph (stone) in red   Ansel Adams, “Rose and Driftwood, San Francisco, California,” 1932   Georgia O'Keeffe, “Jack-in-the-Pulpit No. 3,” 1930, oil on canvas   George Henry Hall, “Tulip,” 1869, oil on wood

Starting Sunday, @Harvard professor Jennifer L.Roberts will take a deep dive into the world of print, peeling back the curtain on a captivating process. Join us for the first of six talks http://go.usa.gov/xHThW 

William Stanley Haseltine, “Narragansett Bay,” 1864, oil on canvas   Frédéric Bazille, “The Western Ramparts at Aigues-Mortes,” 1867, oil on canvas   Fukushima Ichiro, “Sea of Cuba,” woodcut, Rosenwald Collection   John Marin, “Grey Sea,” 1938, oil on canvas

Jacob Lawrence, “Olympic Games,” 1971, color screenprint on wove paper   Jacob Lawrence, “Toussaint at Ennery,” 1989, color screenprint on wove paper   Jacob Lawrence, “Street to Mbari,” 1964, glue tempera, opaque watercolor and graphite on wove paper

Alma Thomas, “Red Rose Cantata,” 1973   Barkley Leonnard Hendricks, “Sir Charles, Alias Willie Harris,” 1972 Bob Thompson, “Tree,” 1962   James Lesesne Wells, “African Nude,” 1980

In his later years, Kuniyoshi was the first living artist to receive a retrospective at the @whitneymuseum in '48. Though, the artist’s lifelong desire to become an American citizen was not realized; he completed the application but passed away the year before it was approved.

During the years leading up to and during WWII, Kuniyoshi became active in artists’ and political organizations, yet following the bombing of Pearl Harbor later that year, Kuniyoshi was classified by the U.S. government as an “enemy alien” and his bank account was frozen...

Born in Okayama, Japan, Yasuo Kuniyoshi had planned to study English when he emigrated alone to the United States at age 16. Encouraged by a high school teacher in Los Angeles, he attended that city’s School of Art and Design for three years...